32 THE DANCE OF DEATH. speaks of a house at Basil, curiously painted by Holbein, but does not mention the subject; it was probably the same as Burnet saw7. These are the only travellers who have spoken upon this subject with any degree of accuracy, and fortunately their testimony throws much light upon it. To the book already mentioned to have been published by the Trechsels, at Lyons, they sometimes annexed another, which was in some degree connected with it, and appears to have been printed by them the following year. This was entitled, <( Historiarum veteris testamentiicones," the cuts of which are in some instances much inferior to the others, and apparently by a different artist. The designs of these are indisputably by Holbein, as appears from some verses before the book, composed by Nicolas Bourbon, a cotem-porary poet, who also wrote some lines upon a Dance of Death painted by Holbein*. To these cuts to the Bible, are prefixed the first four which occur in the Dance of Death, as they likewise belong to the subject, and represent the creation and fall of man; but they are different in size, and were added, not only from the analogy of the subjects, but from the circumstance of their being already in the hands of the printer ; and thus, from an odd coincidence of things, as well as a palpable confusion of the respective verses of Bourbon, seems to have originated an * Borbonii Nugarum libri octo. Basil 1540, 12mo. p. 445,